Sara Pinheiro


composition

Title: ASYNCH

ASYNCH

Compositions

ASYNCH is a live performance that combines foley and sampling, field recording and audio morphing. Based on the ideas of sonic fiction, it is an acousmatic experience of a film that has not been done – and if it were, it would be asynchronous. It’s a confusion where one sound might sound like another, a sound as-if, a magnified detail and everything that shakes (crumbles into dust).

ASYNCH is also the return of a promise, a function that retrieves a value and resolves it. It’s a hold back.

The performance is a release of Pinheiro’s first attempt to make an EP. It consists of 6 individual pieces organised (and failing) as the format of a (foley) song. It invites critical listening and ear cleaning.

Coming soon at PAF 2024.

Title: time metalurgist

time metalurgist

Sound Design

2023 – 20′ – CZ

a film by Tomáš Rampula.

The experimental film Time Metallurgist works with found footage materials (photographs, excerpts from newspapers, letters) from the life of Eadweard Muybridge, attempting to reconstruct what happened in the second half of the 19th century in California. It describes the influence of these events on our present. It uses artificial intelligence to process all this material.

Title: e-animals

e-animals

Sound Design

2022 – AT

a video by Katharina Swoboda.

Produced as part of the “Pixel, Bytes+Film” funding program.
Title: patterns against workers

patterns against workers

Uncategorized

2022 - 33' - AT

A film-essay by  Olena Newkryta.

Screenings & Awards:
Price of the City Duisburg for the Best short and middle Lenght Documentary Film, Duisburger Filmwoche (DE)
Singapore International Film Festival (SGP)
Cluster #30 initiated by Labor Neunzehn, KM28 Berlin (DE)Distribution: sixpack film

Title: the bang straws

the bang straws

Sound Design

2021 – 18′ – UK

writer/director: Michelle Williams Gamaker.

The Bang Straws was nominated for the BFI LFF Short Film Award,  receiving a special commendation from the jury. The Award recognises short-form works with a unique cinematic voice and a confident handling of chosen themes and content.
See also Williams Gamaker’s Jarman Award 2020 winner’s statement.
Title: stones

stones

Sound Design

2021 – 8′ – AT

a video by Katharina Swoboda.

Produced within the framework of the festival SUPER GAU and the project TECHNO SCAPES by The Golden Pixel Cooperative.
Title: riots and rituals

riots and rituals

Sound Design

2016 – 3′ – ES

web-art, gif-loop, a concept by Salomé Lamas, available here.

Title: blavatsky society

blavatsky society

Sound Design

2016 – CZ

A project by Cristina Maldonado.

Sound Design by me.

Title: penguin pool

penguin pool

Sound Design
2015 – 4′ – AT
A video project by Katharina Swoboda.
Sound Design by me.
selected exhibitions:
– Draft Systems. WRO Media Biennale, Wroclaw 2017 http://wro2017.wrocenter.pl/en/works/penguinpool/
– Camouflage. The Koszyki Hall, Warsaw, 2017
– Förderungspreis für bildende Kunst des Landes Steiermark, Neue Galerie, Graz, AT 2016
– End!angered Species. Kunstverein Wagenhalle. Stuttgart, DE 2016
– Living Images. Galerie 207, UMPRUM, Prague 2015
 
selected screenings:
– Wro On Tour #1. Okiem Młodych Festival, Świdnica, 2017
– Ein Grün, von fern gespiegelt. Notgalerie, Vienna, AT 2017
– Staging Mimicry. Chronus Art Center, Shanghai, CN 2017
 
acquisition, collection:
– Wiener Städtische, Vienna Insurance Group, 2015
– Ankaufspreis für zeitgenössische bildende Kunst des Landes Steiermark, 2017