list of publications

• • Pinheiro, S. (2024). The Critical Ear, Revista Vórtex, 12, 1–17:  https://periodicos.unespar.edu.br/vortex/article/view/9522 
  • SHLUK (2024). Noise Pollution and Sound Beyond “Sound”, Journal of Sonic Studies, 26: https://www.researchcatalogue.net/view/3024868/3024869;
  • Pinheiro, S. (2023). Zvukové prostředí vs. zvuková fikce — zvukové krajiny jižanské gotiky (Sonic environments vs. Sonic fiction – Elements of the Gothic Southern Soundscape) in Jižanská gotika v současných televizních seriálech (Southern Gothic in Contemporary Television Series) – ed. Veronika Klusaková), NAMU 2023;
  • Pinheiro, S. (2023). Foley gesture: Towards a theory of acousmatic foley. New Sound, 61/1, 60–83: https://scindeks.ceon.rs/Article.aspx?artid=0354-818X2361060P;
  • Pinheiro, S. (2023). Making of Commotion. Journal for Artistic Research, 31: https://doi.org/10.22501/jar.723227;
  • Pinheiro, S. (2022). Misconceptions of Sound Design: Interviews with Jana Částková and Sandra Klouzová. Arteacta 5(8), 79-92: https://doi.org/10.62804/aa.2022.014;
  • Pinheiro, S. (2022). Acousmatic foley: Son-en-Scène. International Journal of Film and Media Arts, 7(2), 125–148: https://doi.org/10.24140/ijfma.v7.n2.07;
  • Pinheiro, S. (2022). Field recordings: A Manifesto. Prace Kulturoznawcze, 26(1), 129–146: https://doi.org/10.19195/0860-6668.26.1.8;
  • Pinheiro, S., & Rouš, J. (2022). Reflections on sound associations and sonic digital environments. Resonance, 3(3), 255–267: https://doi.org/10.1525/res.2022.3.3.255;
  • Pinheiro. S. (2021). Revisiting the Canon of Sound Theory. Iluminace 33/1;
  • Pinheiro, S. (2021). Making Sound for Sound: An Interview with Marie-Jeanne Wyckmans”. Arteacta 4(6), 125-137: https://doi.org/10.62804/aa.2021.017;
  • Pinheiro, S. et al. (2021). REGARDLESS. ArteActa: https://doi.org/http://arteacta.cz/artkey/ara-202102-0010.php;
  • Pinheiro, S. (2021). The Audiovisual Musique Concrète: Towards the Integrated Soundtrack”, Iluminace 33/4;
  • Pinheiro, S. (2021). Sound has always been immersive: An Interview with Michel Chion”. Arteacta 4(5), 111-122;
  • Pinheiro, S. (2019). The Sound of Saute ma ville. Iluminace, 31(4), 47–60: https://doi.org/10.58193/ilu.1643;
  • Pinheiro, S. et al. (2019). Reflections on sonic digital unreality. Digital Creativity, 30(3), 196–205:  https://doi.org/10.1080/14626268.2019.1653929;
  • Pinheiro, S. et al. (2019) Digital Unrealities, Study I (Czech Version). ArteActa, 1(2);
  • Pinheiro, S. et al. (2019). Digital Unrealities, Study I. Research Catalogue: https://doi.org/10.22501/rc.416743;
  • Pinheiro, S. (2016). Acousmatic Foley: Staging sound-fiction. Organised Sound, 21(3), 242–248:  https://doi.org/10.1017/s1355771816000212;
  • Pinheiro, S. (2015). Foley acusmático: Motivos sonoros. Interact. https://revistainteract.pt/22/foley-acusmatico/